Panel discussion with Anne-Marie Vedsø Olesen, Laura Mauro, Amdi Silvestri and Teddy Vork.

How do writers make their stories weird? What is the best and the worst way to introduce weird elements into the story? What do you do with the weird, once it’s introduced – make the story even more weird, or let the reader think that the weird will be explained in the end? And how do you end a weird story? What is the difference between writing short weird fiction and weird novels?